Where lays the difference between enthusiasm and fanaticism, hypocrisy and insincerity? Moliere, addressing his 17th century French audience, attempted to answer this question in creating his characters of Orgon and Tartuffe in his famed play “Tartuffe.” He satirized the religious fanatic and the insincere saint utilizing Orgon and Tartuffe, respectively. His was a response to the “atmosphere of ‘spiritual correctness’” (Cardullo 172) that stemmed from the religious conflicts between Catholics and Protestants in France. 350 years after “Tartuffe” was written, the religious climate has changed, though is no less polarizing. The recent growth of “hipster Christianity” has come from the response of many young Christians who desire to distance themselves from their conservative fundamentalist or evangelical roots. While the movement maintains several positive qualities, its focus upon rebellion, individuality, tolerance, and shock-value can lead to the very problems that Moliere addressed in 1669: religious fanaticism and insincerity.
Orgon, a rich bourgeois, has taken it upon himself to be the bastion of religious propriety and piety for his family. Orgon cautions Cleante: “Brother, your language savors of impiety. Too much free-thinking’s made your faith unsteady, and as I’ve warned you many times already, ‘twill get you into trouble before you’re through” (Moliere 26). Orgon has decided that Tartuffe is the embodiment of all that is pious and devout, and accepts this with the blind faith required of him. There is no room for independent thinking in being religiously correct, and in 17th century France, the problem with zealotry revolved around religious correctness.
In the case of hipster Christianity, the issue is not religious correctness but religious incorrectness. Brett McCracken writes in Christianity Today that hipster Christianity “is a rebellion against old-school evangelicalism and its fuddy-duddy legalism, apathy about the arts, and pitiful lack of concern for social justice” (25). The whole idea of being a Christian “hipster” is about being progressive and breaking out of the confining Christian subculture that has defined American Christianity. While it is understandable, and even necessary, for young Christians to distance themselves from the characteristically legalistic, nationalistic, and judgmental fundamentalism that they grew up with, the problem arises when they try to make Christianity mesh with secular hipster-ism. They have departed one type of subculture and, rather than creating a new one, they have entered into a secular subculture and attempted to make it work with Jesus.
The secular hipster counterculture focuses on rebellion for its credibility. As McCracken observes, “if you aren’t will to engage in some of this ‘subversive hedonism,’ you will have a hard time maintaining any hipster credibility” (29). The acts of hedonism he refers to include alcohol and tobacco use, sexual experimentation, cursing, and other acts that are frequently termed “sinful” by the Christian masses. So where does this leave the Christian hipsters? A life rife with vices hardly embodies the concept of “being in the world, yet not of it.”
The character of Tartuffe is a perfect example of an individual who is controlled by his vices, yet has perfected the saintly façade. To his fervent followers, Orgon and Madame Pernelle, Tartuffe is as godly as a man can be. But to the others in the household, his insincerity shines like a beacon in the night. Dorine, the maidservant, tells Madame Pernelle “You see him as a saint. I’m far less awed; In fact, I see right through him. He’s a fraud!” (Moliere 11). Tartuffe reveals his true vice-ridden character to the audience when he attempts seducing Elmire: “No one shall snow of our joys, save us alone, and there’s not evil till the act is known; it’s scandal, Madam, which makes it an offense, and it’s no sin to sin in confidence” (127). Tartuffe is no mere hypocrite; he does not believe that which he has claimed, therefore he embodies fraud and insincerity.
This insincerity, while a danger to all Christian, especially is one to the Christian hipster subculture. In trying to make the church “cool,” the possibility arises that the focus becomes more on being subversive, rebellious, and different, rather than redeemed and transformed followers of Christ. For example, hipsterdom is rediscovering liturgy and corporate prayer. Is this sincerely seeking the face of Christ in worship, or another gimmick to separate from the mega-church evangelicism of their youth? These questions must be asked of their sincerity. Jesus was the most counter-cultural man who ever lived, but even he did not reject his religious roots. Jesus was a Jew. And even if you do not agree with the politics and fundamentalism of Jerry Falwell, you must admit that the man owned his faith: few would accuse him of being insincere in his convictions.
Besides the quest to dissociate from the CCM/Mega-church/fundamentalist/evangelical Christian culture, hipster Christianity has a deeper objective. At the heart of this new Christian subculture is a genuine quest for authenticity in faith, practice, and life. This is a noble pursuit. But what becomes harmful is when an “authentic” end justifies the hypocritical or insincere means. Especially in matters of religion, the end should never justify the means.
Cleante, the wise voice of reason in Tartuffe, reinforces the validity of religious expression by the truly devout when he tells Orgon:
Learn to distinguish virtue from pretense,
Be cautious in bestowing admiration,
And cultivate a sober moderation.
Don’t humor fraud, but also don’t asperse
True piety; the latter fault is worse,
And it is best to err, if err one must,
As you have done, upon the side of trust (Moliere 139).
This is an appropriate sentiment for both the audience of 17th century France and 21st century American Christians. Sincerity and truth are paramount in religious expression. Tartuffe was insincere and Orgon followed with blind faith, but others could see past the lies and straight to the heart. So a caution to the Christian hipster subculture: it must be examined for sincerity and truth. Many who stand on the outside do not see sincerity. The Christian life was meant to be lived in such a way that is distinctive and continually being sanctified, not embracing hedonistic vices. In following Christ, Christians were told to expect persecution and ridicule, not to expect the status of “cool.” Christianity is designed to be community, to embrace each other in brotherly love, not to separate into different subcultures out of the name of progress or rebellion.
Works Cited
Cardullo, Robert. "Molière's Tartuffe." Explicator 67.3 (2009): 173-176. Academic Search Complete. Web. 11 Nov. 2011..
McCracken, Brett. "Hipster Faith. (Cover Story)." Christianity Today 54.9 (2010): 24-30. Academic Search Complete. Web. 11 Nov. 2011.
Moliere. “Tartuffe.” Trans. Richard Wilbur. New York: Harvest Book, 1969. Print.